SKU: BR.SON-437
ISBN 9790004803158. 10 x 12.5 inches.
Nine variegated Sacred Vocal Works with Orchestra by Mendelssohn have been compiled in this volume. They stem not only from various creative phases of the composer, but also in view of their vocal settings show up marked differences and thus reflect the variety of Mendelssohns creative oeuvre. One shared aspect is that all nine works remained unprinted during the composers lifetime. Only the Lauda Sion achieved celebrity; it was published with the posthumously attributed opus number 73 and took its place next to other choral works by Mendelssohn already in the 19th century. Now published within the Mendelssohn Complete Edition, it boasts a text-critically revised score available in many cases for the first time, and from which impulses for musical practice are sure to arise.
SKU: BR.SON-403
ISBN 9790004802243. 10 x 12.5 inches.
The Leipziger Ausgabe der Werke von Felix Mendelssohn Bartholdy pursues the goal of making accessible to the public in an adequately scholarly form all of Mendelssohn's accessible compositions, letters and writings, along with all other documents of his artistic oeuvre. A considerable number of Mendelssohn's works are still waiting to be published; many others have been published in an unsatisfactory manner.Though the new Mendelssohn Complete Edition follows the ten volumes of the Leipziger Mendelssohn Ausgabe (LMA) published by the Deutscher Verlag fur Musik (DVfM) in Leipzig since 1961, it sees itself as a fundamentally new conception which reflects the present-day standard of scholarly editions.The first volumes of the new Complete Edition were presented in Leipzig on 3 November 1997 at Mendelssohn Festtage in Leipzig.SON 411 - 413 have been awarded the German Music Edition Prize 2006.Editorial Board: Christian Martin Schmidt (chairman), Peter Ward Jones, Friedhelm Krummacher, R. Larry Todd, Ralf Wehner; research associates: Ralf Wehner, Clemens Harasim, Birgit Muller.
SKU: BR.SON-442
ISBN 9790004803509. 10 x 12.5 inches.
This volume contains three reworkings and orchestrations of religious works by Felix Mendelssohn Bartholdy which were originally set for smaller ensembles (solo voices, four-part chorus and organ). They were composed at different times and for different occasions, two of them as commissions. The anthem ,,Why, o Lord, delay forever MWV A 19 was originally the sacred vocal piece MWV B 33, published in England in 1841 with the additional title ,,[…] The Thirteenth Psalm, and in Germany in the same year as ,,Lass, o Herr, mich Hilfe finden with the title ,,Drei geistliche Lieder which was composed at the suggestion of the English literature and music lover Charles B. Broadley who also provided the paraphrase of the psalm text. After Mendelssohn had refused an initial request by Broadley to furnish the anthem post festum with an organ prelude, the composer did not want to turn down a second request to orchestrate the work and he even expanded the existing material with a lengthy closing fugue involving additional trumpets and timpani. The ,,Ave Maria MWV B 19 was written in connection with Mendelssohn's appointment as municipal music director, a position which at the same time included the responsibility for the musical organization of church services. The instrumentation of the work with an accompaniment of two clarinets and two bassoons as well as low strings was due to the fact that the organ in Dusseldorf's principal church St. Lambertus was out of order for an extended period of time, and Mendelssohn considered this solution explicitly only as a surrogate for the organ should there be none. A further psalm paraphrase in English, this time by William Bartholomew, of the hymn ,,Hear my prayer MWV B 49 was set to music in early 1844; the orchestration of the organ part commissioned by the distinguished Dublin musician Joseph Robinson was not completed until 1847 so that the premiere finally only took place after Mendelssohn's death. In the further course of the century ,,Hear my prayer would, particularly in the version with organ accompaniment, come to enjoy great popularity in Great Britain and Ireland.
SKU: BR.SON-453
ISBN 9790004803639. 10 x 12.5 inches.
This Felix Mendelssohn Bartholdy anthology contains 19 sacred vocal works in various choral and sometimes additional solo settings, with organ, harpsichord, or basso continuo accompaniment. Among these pieces composed from 1821 to 1847 are six works that were not published during Mendelssohn's lifetime. Seven of the works presented are each extant in at least one other authorized version that has also been edited here. The occasions and circumstances of their composition vary as much as their musical structures and characteristics: Several were intended for specific performances; others were written from the outset for publication.
SKU: BR.SON-452
ISBN 9790004803622. 10 x 12.5 inches.
Felix Mendelssohn Bartholdy lived in the heyday of men's choruses. Early on, the composer had encountered the genre by way of his teacher Carl Friedrich Zelter and his Berlin Liedertafel, founded in 1809, had then gathered his own experience from the Leipzig Liedertafel societies, and was in contact with a number of male choral societies throughout his lifetime. Nevertheless, his relation to male choral singing was characterised not only by his inclination, but also by critical distance. The festive compositions for male chorus and orchestra forming the content of this volume are all commissioned works, two of which, the so-called Gutenberg-Kantate and the Festgesang an die Kunstler on a text by Friedrich Schiller, also appeared in print during Mendelssohn's lifetime.
SKU: BR.SON-425
ISBN 9790004802809. 10 x 12.5 inches.
Felix Mendelssohn Bartholdy fundamentally revised his Elijah after its successful world premiere in Birmingham in summer 1846. However, the individual layers of this revision are less visible in the autograph score than in the piano-vocal score that was made parallel to it and which the composer kept working on for its simultaneous publication in England and Germany.Awarded the German Music Edition Prize 2023.
SKU: BR.SON-455
ISBN 9790004803653. 9 x 12 inches.
Between 1834 and 1847 Felix Mendelssohn Bartholdy composed a total of 28 songs for mixed voices, i.e. for two female (soprano and alto) and two male (tenor and bass) voices each. The pieces are arranged so that they can be sung by four individual singers as well as by smaller ensembles or large choirs. The composer had almost two-thirds of these works published by Breitkopf and Hartel in the collections opp. 41, 48 and 59, combining partly already existing and partly newly composed songs into a loose cycle of six songs each. The purpose of such occasional music was clear to him: ... the most natural music of all is when four people go for a walk together, in the forest, or on a boat, and then immediately carry the music with them and in them. The present volume contains all the songs published and unpublished during his lifetime, as well as their versions, which owe their various performance contexts.
SKU: BR.DV-7672-02
ISBN 9790200470536. 7.5 x 10.5 inches. German.
This extensive (84 pages) collection of choral pieces contains works by Albert Becker, Anton Brucker, Felix Mendelssohn Bartholdy, Max Reger, Robert Schumann and many others. The predecessor of this volume Die Welt singt Gottes Preis can be found under DV 7677.
SKU: BR.CHB-5234-02
ISBN 9790004411537. 7.5 x 10.5 inches. German.
Madame Hensel, Mendelssohn's sister, whose eyes speak intelligence and profundity''. This diary entry made by Robert Schumann in June 1843 succinctly but fittingly characterizes Fanny Hensel, without a doubt the most significant woman composer of the 19th century. Born in Hamburg on 14 November 1805, she was the eldest sister of Felix Mendelssohn Bartholdy and the granddaughter of the philosopher Moses Mendelssohn. In 1829 she married the Prussian court painter and occasional poet Wilhelm Hensel (1794-1861). After her sudden death in Berlin on 14 May 1847 as a result of a stroke, the music journalist Ludwig Rellstab poignantly wrote that she shared the brotherhood ef talent with her famous sibling.Fanny Hensel was given the same excellent and comprehensive musical training as her precocious brother, including composition lessons with Goethe's friend Carl Friedrich Zelter. Felix and Fanny not only loved each other tenderly, but they also maintained an intensive, life-long exchange of ideas which proved musically profitable to both of them. However, it was only in 1846 that Mendelssohn gave up his resistance to Fanny's publication plans. And so, just shortly before her death, she was able to publish a carefully selected sample of her songs and piano pieces.Not only these pieces, but also a few orchestral and chamber-music works (e.g. the String Quartet in E flat major, KM 2255) and, in particular, choral music occupy an important position in her oeuvre. Most of her choral works were written in 1846, and she was able to rehearse them with the chorus she conducted at the famous Sunday Concerts in the Mendelssohn home. She had six of these choral songs published in a revised version under the title Gartenlieder Op. 3 by the Berlin music publisher Bote & Bock. The title of the Gartenlieder brings to mind Mendelssohn's well-known Lieder im Freien zu singen (Opera 41, 48, 59; ChB 4763-4780), published before 1846. But, as far as the quality of their melodic writing, the compositional technique, and the choice of texts are concerned, as well as the perfect balance between folk-like simplicity and polished design, they are as outstanding as the works of her brother.Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica).
SKU: BR.PB-5182
The 98th Psalm is one of Mendelssohn's church-music works which is hard to categorize.
ISBN 9790004209226. 9 x 12 inches.
The 98th Psalm is one of Mendelssohn's church-music works which is hard to categorize. Just like the Lobgesang Cantata, which unites the symphonic form and the chorale cantata, the 98th Psalm joins the motet and cantata forms into a highly expressive unity. The work begins in eight parts a cappella and leads to a vigorous orchestral movement. The use of the harp in Romantic church music was innovative and provocative in Mendelssohn's day.The piano-vocal score made by Mendelssohn himself was completed by Michael Obst, who reduced the introductory a cappella chorus for rehearsal purposes.The 98th Psalm is one of Mendelssohn's church-music works which is hard to categorize.
SKU: BR.OB-5311-11
Music text of the Leipziger Mendelssohn-Ausgabe, which was able to take into consideration the newly accessible autograph score for the first time
ISBN 9790004339954. 10 x 12.5 inches.
The new Breitkopf Urtext edition presents the music text of the Leipziger Mendelssohn-Ausgabe, which was able to take into consideration the newly accessible autograph score for the first time. Moreover, the bilingual piano-vocal score contains the first-ever correct underlay of the English vocal text which William Bartholomew worked out in close collaboration with Mendelssohn.,,Diese vorbildliche Ausgabe erscheint sicher nicht zufallig rechtzeitig vor dem Mendelsohnjahr 2009. (Rainer Goede, Kirchenkunst)Music text of the Leipziger Mendelssohn-Ausgabe, which was able to take into consideration the newly accessible autograph score for the first time.
SKU: BR.OB-5311-16
ISBN 9790004339848. 10 x 12.5 inches.
SKU: BR.OB-5311-27
ISBN 9790004339879. 10 x 12.5 inches.
SKU: BR.OB-5311-30
ISBN 9790004339886. 10 x 12.5 inches.
SKU: BR.OB-5311-19
ISBN 9790004339855. 10 x 12.5 inches.
SKU: BR.OB-5311-23
ISBN 9790004339862. 10 x 12.5 inches.
SKU: BR.PB-5314-07
ISBN 9790004212325. 6.5 x 9 inches.
SKU: BR.DV-7677-02
The World sings the Praise of the Lord - the title is derived from the choral piece by Johann Wolfgang Franck which is found in the book in Arnold Mendelssohn's musical setting.
ISBN 9790200470567. 9 x 12 inches. German.
Now available again, this extensive (116 pages) collection of choral pieces contains works by C. Ph. E. Bach, Gottfried August Homilius, Joseph Haydn, Moritz Hauptmann, Felix Mendelssohn Bartholdy, Johannes Brahms, Max Reger and many others. It can be seen as a sequel to the volume Geistliche Chorlieder und Motetten von Mendelssohn bis Reger (DV 7672).The World sings the Praise of the Lord - the title is derived from the choral piece by Johann Wolfgang Franck which is found in the book in Arnold Mendelssohn's musical setting.
